If there’s a cancer drug innovation coming down the pike anywhere in the world, you can bet the best oncologists know about it. This same devotion to education holds true for many lawyers, software developers, and any other talented soul who knows that what he learned in college could quickly become obsolete.
Now, it looks like journalists–once notorious for their distrust of new media and the blogosphere–are finally stepping up and accepting that one can’t be a Walter Cronkite or a Bob Woodward if one’s audience is disappearing. And that’s exactly what’s happening. According to a report last week from the Pew Research Center for the People and the Press, the internet has overtaken newspapers as a leading source of news. Considering the Web’s noticeable jump in popularity even since the 2007 survey, it is not unreasonable to think that television news could be the next victim. Not only does this same survey show television and the internet in a neck-and-neck race for audiences under thirty, but Pew’s Project for Excellence in Journalism reports that virtually every media sector apart from the internet is slowly losing Americans’ attention.
Each year, the Project for Excellence in Journalism publishes a report on the The State of the News Media. This year’s report includes a survey of 500 journalists on what some fear is a dying profession. Here’s are some of the findings:
Journalists have become markedly more pessimistic about the future of their profession. But their concerns are taking a distinctly new turn. Rather than worrying as much about quality, they are now focused on economic survival. And in that new focus, we see signs of new openness to change.Journalists are ready — even eager — to embrace new technologies. They think a range of new digital activities, from blogs to citizen media, are good for journalism. They even think, by 2 to 1, that splitting their time across multiple platforms is a positive change rather than a problem that is taking time from their reporting or spreading them thin. These are all attitudes hard to imagine a few years ago.
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[L]ook inside what journalists say and they are largely optimistic about what technology brings to the craft. When asked to name what in particular they see as the industry’s strengths, those naming adapting to Web more than tripled among national journalists and increased ten-fold among those at the local level. And near the top of the list are two direct results of technology — timeliness and speed. About one in five name these as something the industry is doing especially well.
The emphasis above is mine. My master’s thesis actually focused on media convergence in student, professional, and mixed newsrooms from 2004-2006. I won’t summarize all 157 pages here, but I will note that as objective as I tried to be, my most frustrating finding was that the biggest roadblocks to creating multimedia newsrooms were the journalists themselves. The old rivalries among print and broadcast people were as rabid as ever, and few of the hardliners had any respect for the Web as a medium (or, more accurately, a vessel for media). I found that perplexing. I’ve always been interested in getting my fingers into all media, so what was up with these curmudgeons being so adversarial?
Well, part of the reason was fear. The term “convergence,” which has since fallen out of use and has found its way to buzzword heaven (or hell), has unfortunate ties to failed efforts to force journalists to do things that made them feel uncomfortable. The idea at a lot of these newsrooms was basically, “we want our journalists to be all-in-one reporters!” I don’t need to explain the potential for disaster when you send a reporter out to be his own cameraman during a hurricane, and I doubt I need to explain how scary it is for a lot of writers–no matter how good-looking–to speak into a lens, knowing that there’s no backspace key for a misspoken word.
Managers came to these journalists with nonsensical figures and charts on paper, trying to convince them that by taking on extra tasks they didn’t initially sign up for (or want to do, or know how to do), they would make their media conglomerations’ market shares skyrocket.
It wasn’t a convincing argument.
A lot of reporters quit their jobs in search of papers and stations that would allow them to flourish in their specific crafts.
But now, with the economy at a low and with so many news organizations cutting jobs, reporters have an even greater fear to worry about: their viability in a market saturated with unemployed talent. And while the circumstances for this new-found acceptance of the Web are less than ideal, the push for journalists to educate themselves on new technologies will surely have lasting long-term benefits for both content creators and consumers.
I can’t stress enough the importance of continuing one’s education even when gainfully employed. I’m convinced that my side-projects during graduate school are what got me my first “real job,” a great gig as a multimedia journalist for an internationally broadcast TV show. And now that this position has ended, I’m equally convinced that it was not just my work there but also my side-projects here and elsewhere that brought me the chance to teach multimedia journalism at Boston University starting this spring.
Over the next few months, I intend to learn more about the development aspect of multimedia journalism (specifically ActionScript and other elements of Flash). How about you?
Rima Chaddha Mycynek is a writer, reporter, editor, photographer, videographer, former talk show host, and all-around journalism nerd. She currently teaches multimedia journalism at Boston University. [
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If you have the time, design is a good field to develop more skills in. Knowing the technical end of flash is good. But improving how to compose and choreograph your flash really makes a big difference. There are rules to organizing and directing elements on a page. And the people who you will want a job from will know those rules already. So it’s good to be able to “speak the language”.
You’ve learned alot about gathering good content. And now you’re learning the technical end of getting it presented in flash. But you should also hone your skill at HOW you present it.
It will effect your webpages, your flashes, your resume, your home, your clothing etc. It’s a good skill to take classes in.
BTW there are also certain “habits” that people who don’t study design do when they try to design.
For example, if I made a rectangle on a piece of paper, then asked an average Joe to fill the rectangle with circles and make it look COMPLETELY RANDOM. After he was done I would probably see alot of circles, all about the same size. None touching. None overlapping. All about equidistant from each other and the edge of the rectangle. But that is NOT random. Its actually very organized. And it feels stiff to the eye. To look random, you have to be more chaotic. Some should cluster, some should overlap, some should be larger, some smaller, and some should run off the boundary’s edge. And that is more free flowing, loose. Try it on a friend, or Steve. Have them draw completely random circles and see how random they really are!
By controling order and chaos, knowing the emotional effects of horizontal lines vs diagonal ones, or which color combinations create which emotions. All those will help you when you make something in flash.
Flash is something I have always wanted to learn more about! The most I’ve done with Flash is creating photo slideshows with voiceovers. I know there is SO much more the program can do. Not that I have a real job and some time, I am hoping to one day get the program and see what kind of damage and havoc I can create while learning.
Btw, I am loving the new look! Great Job Rima, and I’m still jealous!!!!
that’s Now that I have a real job!!!
Tom: Thanks for the input! You’re definitely right when you say that it’s very important for journalists to know what their final products should look like. If you’re a news organization and you want to be taken seriously online, you have to play the game: Hire developers and designers who understand both old and new trends in programming and art direction.
Consider my old campus paper’s Web site (http://www.thedmonline.com/) versus the town’s local paper’s Web site (http://oxfordeagle.com/). The former is student-run, but has a nice feel to it. It isn’t exactly nytimes.com, but it is clean and well organized. The latter paper is professionally run. Whoever designed it attempted to use CSS, but seems to have missed the actual point of CSS in the process. There’s no universal stylesheet that can be used to make changes site-wide. Every page might as well be done in strict HTML.
In my case, I recently came from a position where we had designers and developers around to take care of the look and feel of every page and all of our features. In that case, problems sometimes arose when some members of the team didn’t fully grasp what Flash (for example) was capable of. And I really felt like I was stepping on toes if designers were around and yet I was the one who said “yes, you can do that in Flash.” No designer or developer wants to say “we can do it, but we don’t want to” or “it can be done, but we don’t know how.” So implying that something just isn’t possible is simply…easier.
As my friend, you know that I can be a passive person sometimes. But you might not know that this element of my personality really came into full swing during the 40-50 hours I’d spend at this job. I didn’t allow myself much of a voice, and that’s truly my own fault. I think part of me hopes that by learning things beyond my journalistic skill-set, I will not only make myself more marketable but also more confident in prestigious, professional settings.
Wow, that was a long caveat. Anyway, the short answer is that I think design is important, but that many news organizations are more likely to have web designers and developers than they are Flash developers. And just by speaking to my colleagues in the field, I’m learning that they’re finding themselves in situations where they really need to learn the technical stuff first.
Design is very important, however, and I hope to gain some more knowledge in that along the way.
I liked your circle analogy.
Jamie: Never stop studying! If you continue your education, you’ll always be more marketable than your contemporaries.
A friend of mine actually heads one of the big teams at NOVA, and he’s convinced that his efforts to learn Avid after work (and in his office where his former superior could notice) are what got him the job.
Blame the circle analogy on Tom watching way too many episodes of Numb3rs. On that show the math guy explains complicated math every episode with a simple analogy even Joe the Plumber could understand.
Not to rip Joe the P, cause I actually respect the guy, though yes, he’s totally overexposed past his 15 minutes.
I know what you mean by being uncomfortable speaking up when you are the new guy. But it’s not unusual to find yourself in a position where the company is doing something in an old cumbersome obsolete way. Companies are filled with older adults who are using methods which were accepted when they learned them decades ago. The higher ups tend to be older, which means less knowledge of what’s new and recent. They haven’t been watching new tech. They’ve been working long days instead.
A rule of thumb I use is that I don’t want to seem like a knowitall. That breeds resentment. And feelings of job insecurity in others when they don’t know something. However, a good time to speak up is when you know something that will make THEIR life easier. Then they will be grateful. that usually works well.
And by being more reserved when you speak, it gives you something to say, when people actually WANT to speak to you.
I learned that lesson the HARD way over at the rathole.
btw, I found a good website if you need books for your classes.
bigwords.com
Cheap prices on textbooks.
My problem was that by acknowledging my own passiveness and the fact that I was the youngest person on the team (after growing up in a respect-your-elders culture) I had a hard time selling my ideas. I was probably a little too reserved.
I do feel that I am past all of that, however. I’m older and I have a professional background that I can finally feel speaks for itself.
Thanks for the textbook link. I’ll keep that in mind. Alas, I’ve already dropped the big bucks on the books I’ll need for this class.
I wouldn’t worry too much about it. You got a good friendly manner. That combined with hard work will get you respected.
Just keep in mind that any problems you have right now job hunting is probably more a temporary lull due to all the out of work people trying for jobs too.
I’m lucky in that I’m teaching this semester. Considering all of the layoffs from The Globe, The Herald, and WGBH alone, Boston is up to its eyebrows in unemployed journalists.
Oh man… that’s sad to hear. I just hope the seafood industry is doing well. I don’t know much about Boston’s economy, but I know seafood is popular there. From what i hear it’s one of the more dangerous jobs in america.
On a tangent note…. Boston fans must not be happy with basketball either.
Losing Christmas day sucked. But that’s understandable. But losing to an injury plagued Golden State,Portland AND CHARLOTTE? WTF? Charlotte? That’s like being beat by Brittney Spears on an IQ test…..
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